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Free Bird: Behind the Lens with Chronicle Cinema

Updated: Oct 10, 2025

In April 2025, Chronicle Cinema collaborated with renowned music video director Max Moore. Their mission? To create the first-ever official music video for Lynyrd Skynyrd’s iconic song, “Free Bird.” This project was not approached lightly. It is a cinematic homage to youth, nostalgia, and timeless freedom. Filming took place over three intense days in and around Louisville, Kentucky, and southern Indiana.


A Vision for the Future


Now with over 10 million views and counting, the video resonates across generations. But how do you visually reinterpret a song embedded in the hearts of so many? This process was born from a mix of fear and trust.


“To be honest, I was pretty intimidated going into the writing process,” Max shared. “It’s such an iconic, legendary song, and I wanted to ensure it got the music video it truly deserved.”

Max sought guidance from someone who appreciated the emotional depth of the song—his older brother, an eight-year Skynyrd fan. Together, they crafted a narrative focusing on youth, freedom, and first love, themes deeply relatable and cinematic.


The Story of Memory

“We kept circling back to the idea of a memory you can almost touch. Once we anchored that concept, everything else fell into place—the visual tone, narrative rhythm, and even the diner scene.”



Behind the Lens with Chronicle Cinema


Max emphasized the importance of having a capable team for a project of this magnitude. For him, the choice was simple.


"Chronicle Cinema is a team I’ve worked with for years," Max noted. "I knew right away they’d be the perfect fit for this project. Filmmaking is a team sport, and Chronicle brings the energy every time."

This team, led by producer Marc Singer and creative director Zach Meiners, had just three days of filming. Their goal was to make the impossible feel effortless. They transformed an abandoned restaurant into a meticulous 1970s-style diner, built a custom process trailer for driving scenes, and choreographed an intricate motorcycle-and-drone sequence.



“Our window for some of those shots was measured in minutes,” Marc explained. “We had firework scenes at dusk, a tight cast schedule, and unpredictable weather. There was no luxury for second chances. Preparation and flexibility were everything.”

The drone shots posed significant technical challenges. “Andrew Nice flew from the front passenger seat while we trailed the motorcycle,” Zach explained. “It felt like no one breathed the entire time. But he nailed it, and it was beautiful.”


The Role of Creativity and Technology


While most visuals were captured practically, Max introduced an innovative tool: AI.


“We used AI early on to generate concept art,” he revealed. “It helped us visualize mood and tone before we even reached the set. It was a springboard — not a crutch.”

Zach remarked that “AI ensured everyone understood Max’s vision, aligning the band, record label, and our team with the desired look. Max set the bar high, yet the cast and crew rose magnificently to the occasion.”


One subtle yet impactful contribution made by AI was designing a bird that glides during a significant emotional moment, embodying longing and the passage of time.


“People hear ‘AI’ and think futuristic or cold,” Zach clarified. “Here, it was the opposite. We combined it with vintage lenses and in-camera effects, including Vaseline on the glass. This contrast of high-tech and low-fi lent a timeless feel to the video.”

When the video debuted, it generated more than just views; it made headlines.


CBS News labeled it “a long-overdue tribute to a timeless anthem.” Celebrations of its cinematic scope and heartfelt storytelling emanated from outlets in Lynyrd Skynyrd’s hometown of Jacksonville. Comments on YouTube have transformed into a living journal of the song’s impact, such as:

“I danced to this at my wedding and played it at my brother’s funeral. This video brought me to tears.”

“I didn’t think ‘Free Bird’ needed a music video — until now. I’ll never hear it the same way again.”

“Whoever made this — thank you. You did it justice.”


Final cast and crew photo on the set of the Free Bird music video, produced by Chronicle Cinema for Lynyrd Skynyrd. Pictured are director Max Moore; producers Zach Meiners and Marc Singer; production designer Sally Wegert; director of photography Cody Duncum; 1st AC Brad Wagster; drone and B-cam operator Andrew Nice; gaffer Zach Erwin; key grip Bobby Spalding; grips Austin Koester and John Ricketts; electrics Milo Martinez; set dresser Eric Spurgeon; wardrobe stylist Jo Hall; hair and makeup artist Kelley Scott; production assistants Caio Silviera and Robb Nolasco; lead man Mike Seely; and actors Cameron Cousins and Lindsay Cousins. A behind-the-scenes moment capturing Chronicle Cinema’s full creative team and cast celebrating their work on this cinematic Southern rock story.
The cast and crew of Lynyrd Skynyrd's "Free Bird" music video.

Honoring a Legacy


“Free Bird” transcends mere music. It captures moments in American culture—playing in cars, on porches, at funerals, and graduations. Being trusted to create its first official video is a profound honor for Chronicle Cinema.


“We weren’t aiming to modernize it,” Marc stated. “We sought to honor it — and create something deserving of its significance to so many.”

Zach supported this sentiment:

“Ultimately, we were shaping a feeling. That’s our craft. Whether it’s a rock anthem or a film, Chronicle Cinema strives to tell meaningful stories.”

Max reflected on the project, “I’ve received more personal messages about this video than anything else I’ve ever created. It’s emotional, generational, and meaningful. That’s the goal.”



Chronicle Cinema proudly brings cinematic storytelling to life—whether for legendary rock bands or the next big idea waiting to be told.


Credits

Directed by - Max Moore

Executive Produced by - Max Rose, DJay Brawner

Produced by - Zach Meiners, Marc Singer

Written by - Max Moore, Alex Moore

Director of Photography - Cody Duncum

Production Design by - Sally Wegert

1st AC - Brad Wagster

Drone & 2nd Cam Op - Andrew Nice

Editor & VFX - Max Moore

Gaffer - Zach Erwin

Key Grip - Jeb Schilling

Key Grip - Bobby Spalding

BB Grip - Austin Koester

BB Grip - John Ricketts

BB Electric - Milo Martinez

Set Dresser - Eric Spurgeon

Wardrobe Stylist - Jo Hall

HMU - Kelley Scott

Production Assistant - Caio Silviera

Production Assistant - Robb Nolasco

Colorist - Ducan Salot, Post 237

Lead Man - Mike Seely

Young Man - Cameron Cousins

Young Woman - Lindsay Cousins

Extras - Evan Fowler, Lead Outlaw, Gracie Taylor, Sam Current

Motorcycle Double - Tony Renner

Motorcycle Wranglers / Bike Owner - Jon Renner, Wendle Renner

Director Rep - Jen Herrera

Commissioner - Steve Gottlieb

Label - UMe

Executive Produced by - Tuff

Produced by - Chronicle Cinema

Special Thanks - Michelle Moore

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